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Derrick Story’s The Photoshop CS4 Companion for Photographers is an interesting book, in that it strives to be a slim “companion” book for photographers out in the field but still aims to cram itself with all the information pertinent to a photographer using Photoshop. The end result is something in between, a book I enjoyed for its compact size and portability but ended up questioning whether it simply has too much information.
Great book for the studio
Don’t get me wrongâ€”I’m the type to encourage information overload. And with that being the case, I’m impressed by the amount of information the Companion packs into its pages. Like many other books, this one focuses on workflow at the beginning and spends a chapter discussing importing images with the Photo Downloader, a component of Bridge that I’ve not found much use for until now. Derrick considers it a very powerful tool for importing photos, and I agree although there are other solutions (I personally use Photoshop Lightroom) and I would doubt most photographers are shooting in the field without an importing strategy already in place.
The book continues with a chapter on rating and keywording in Bridge (again, I use Lightroom for thisâ€”but Bridge is the next best thing) and two chapters on Camera Raw, and then the book moves into Photoshop territory with coverage of a variety of tools (Clone Stamp, Levels) and techniques (blemish removal, sharpening, hue/saturation, panorama stitching). The book ends with a small chapter on printing, which (like workflow) seems a little out of place because one would expect a photographer to worry about printing only after returning from the field.
Not enough Photoshop
Out of the eight chapters in Companion, only two cover Photoshop itself. This bothers meâ€”I know Derrick wanted to avoid packing every Photoshop tip into this book, but I think more could have been done. Since this book is about Photoshop CS4, CS4-specific information would have been helpful: not much is said about the Adjustments and Masks panels, two of the most noticeable changes in Photoshop CS4. A photographer out in the field might want a comprehensive overview of these panels handy when he/she is working on images. There’s also plenty of other tips and tricks a photographer may want to reference in a companion like this book.
A lot of copy
When I think about companions, handbooks and pocket guidesâ€”whether they are travel guides or Photoshop books like this oneâ€”I hope to see the right mix of imagery, copy and information design. These small books get too jam-packed without white space and visual aids like headings and such. Companion does a pretty good job of mixing images in the right place but the copy is served in huge blocks that are rarely broken up with callouts, boxes or other aids. This makes the book somewhat difficult to use when looking up a particular bit of information, which is often the case out in the field. As I alluded to in my subheading above, this book works best in the studioâ€”or reading room, where one can read the book cover-to-cover. A photographer in the field who has to find out fast how to apply a photo filter to an image for a client will be hard-pressed to find the information in Companion.
The Photoshop CS4 Companion for Photographers is a good book, and I would recommend it for beginners or amateurs who could use a small, easy-to-digest guide to workflow, Camera Raw and a few Photoshop techniques for photographers. It is not a complete Photoshop guide or a full survey of new CS4 features, and I might stick it in my camera bag for “just in case” situations but the lack of Photoshop-specific information and ease of use out in the field might keep it unopened.
The Photoshop CS4 Companion for Photographers
Published by O’Reilly